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British Wildlife

8 issues per year 84 pages per issue Subscription only

British Wildlife is the leading natural history magazine in the UK, providing essential reading for both enthusiast and professional naturalists and wildlife conservationists. Published eight times a year, British Wildlife bridges the gap between popular writing and scientific literature through a combination of long-form articles, regular columns and reports, book reviews and letters.

Subscriptions from £33 per year

Conservation Land Management

4 issues per year 44 pages per issue Subscription only

Conservation Land Management (CLM) is a quarterly magazine that is widely regarded as essential reading for all who are involved in land management for nature conservation, across the British Isles. CLM includes long-form articles, events listings, publication reviews, new product information and updates, reports of conferences and letters.

Subscriptions from £26 per year
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Bollingen Series

In 1969, Princeton University Press acquired the Bollingen Series from Pantheon Books and the Bollingen Foundation. Started in 1940 by Paul and Mary Mellon, the series features many important books in psychology, mythology, archaeology, art history, religion, literature, and related fields, including the collected works of C. G. Jung, Samuel Taylor Coleridge, and Paul Valéry. Notable individual titles include the Wilhelm/Baynes translation of The “I Ching”, or Book of Changes; D. T. Suzuki’s Zen and Japanese Culture; Vladimir Nabokov’s translation of Pushkin’s Eugene Onegin; Erich Neumann’s The Origins and History of Consciousness; Mircea Eliade’s The Myth of the Eternal Return; Isaiah Berlin’s The Origins of Romanticism; Gershom Scholem’s Sabbati Şevi; E. H. Gombrich’s Art and Illusion; and Kenneth Clark’s The Nude.

The Bollingen Series was largely completed in 2002 with the publication of its 275th volume, but one part of the series continues to produce new volumes—the A. W. Mellon Lectures in the Fine Arts, which is co-sponsored by the National Gallery of Art in Washington, DC, and which the New York Times has called “a great contribution to civilized discourse”.